Script - finished

The scene opens with the two men sitting facing each other one is dressed in a suit with a red tie while the other is much more casually dressed. He wears a grey shirt and grey t-shirt with black jeans. The room is lit with a dim glow it fits the tone of the scene. The two mens sit in silence for a second then a sectary walks in and hands the cop the file he usher her away with the shake of his hands. She willingly follows this instruction, he then opens it and flicks through the pages. 

R: Well 25 to life was it worth it.
J: Worth every second .
R: tell me one thing why did you do it ?
J: because i got a kick out of it.
R:12 people all for the kick of it. (As he says this he gets up and walks to the window pulls the blind and stands staring out the window)
Didn't anyone ever tell you punk crime never pays, your going away for a long time. You can kiss your family goodbye and your freedom 'cause you ain't taking that where your going.
J realises his hands aren't tied and the cop is preoccupied so he takes the opportunity and runs out.

C: Who you talking to?
R: The killer.
C: He's long gone.
R: Damm gone again.
C: You going after him.
R: Guess i have too.
C: It's dangerous here take this.
R: No this time it's personal (Walks to door) Sarah, (short pause) put the kettle on, i'll be back in time for tea.

Cuts to forest scene

We cut to the cop chasing the killer through a small bit of forest and running into another building the killer jumps in to a lift just before the doors close, forcing the cop to take the stairs. The music at this point take to tangents for each character. The cuts involving the cop have a much high tempo fast paced song (Sabotage - Beastie Boys0 while the music for the killer is calm and relaxing (Refreshing Elevator Music) it highlights the contrast in the character.